Related Paintings of unknow artist :. | Arab or Arabic people and life. Orientalism oil paintings 591 | Throughout three centuries | Still life floral, all kinds of reality flowers oil painting 56 | cats 034 | Realistic Red Roses |
Related Artists:
johann friedrich august tischbein
German Painter, 1750-1812. 1750 Maastricht ?C Heidelberg 1812. First he was a pupil of his father Johann Valentin Tischbein (1715-1768) in Hildburghausen, from 1768 one of his uncle Johann Heinrich Tischbein the elder (1722-1789) in Kassel. Supported by Prince Friedrich von Waldeck he stayed in Paris from 1772 until 1777, where he studied at the academy of arts under N. B. L??pici?? (1735-1784). Afterwards he travelled to Rome, where he got in contact with the painters A.R. Mengs (1728-1779), J.L. David (1748-1825) and Fr.H. F??ger (1751-1818) and probably also with the English style of portrait painting. 1779 he travelled to Naples. In 1780 he returned to Arolsen via Vienna, Munich, Stuttgart and Kassel, where he worked for the Prince of Waldeck. From 1780 he was his councillor and court painter. During this time he made several journeys e.g. to Holland and after 1785 to Weimar where he met Wieland (1785), Schlegel (1792) and other important people. From 1795 he worked for Leopold III. of Anhalt-Dessau. 1800 he succeeded A. Fr. Oeser (1717-1799) as director of the academy of arts in Leipzig. From 1806 to 1808 he stayed in St Petersburg. He died 1812 when he visited his daughter Caroline Wilken (1783-1843) in Heidelberg
William Stanley Haseltine
(June 11, 1835-February 3, 1900) was an American painter and draftsman who was associated with the Hudson River School and Luminism. Born in Philadelphia to John Haseltine, a successful businessman, and Elizabeth Shinn Haseltine, an amateur landscape painter, Haseltine studied at the University of Pennsylvania and then at Harvard University, where he received a degree in 1854. He first exhibited his paintings the following year at the Pennsylvania Academy of Fine Arts, after which he sailed to Europe, first joining a colony of American painters who were studying in Dusseldorf, then traveling up the Rhine into Switzerland and Italy. In late 1857 he settled in Rome, and in the following months made numerous excursions to draw the landscape around Rome and on Capri. In 1858 Haseltine returned to Philadelphia, and by late 1859 was installed in the Tenth Street Studio Building in New York City, then a central point for American landscape painters; also in the building were Frederic Edwin Church, Albert Bierstadt, and Worthington Whittredge, the latter two having befriended Haseltine in Europe. Though many of his paintings from this time derived from his European sketches, Haseltine also began to paint the oceanside of New England, especially favoring the rockbound coasts of Narragansett, Rhode Island, Nahant, Massachusetts, and Mount Desert Island, Maine. The precision with which he painted these landscapes won critical praise, and Haseltine was elected an Associate of the National Academy of Design in 1860, and a full Academician in 1861. In 1864 Haseltine's wife died in childbirth. He spent some time training his nephew, Howard Russell Butler, but he moved after he married Helen Marshall in 1866. Initially the family considered settling in Paris, but in 1867 they moved to Rome, which would for most of Haseltine's subsequent years serve as his home and point of departure from which to produce views of the European landscape. While his paintings of Capri and Sicily would prove popular with visiting American tourists, Haseltine also traveled and drew in France, Holland, Belgium, and the Netherlands, summering in Bavaria and the Tyrol in the 1880s and 1890s. In his later years he also returned periodically to the United States, making a final trip to the west in 1899. Haseltine died of pneumonia in Rome in 1900.
Constantin Hansen
Danish 1804-1880 Constantin Hansen Galleries Danish painter. In 1816 he entered the Kongelige Akademi for de Sk?nne Kunster, Copenhagen, intending to study architecture; however he later became attracted to painting and worked under C. W. Eckersberg from 1828 to 1833. Around the middle of the 1820s he started developing an individual style of portraiture, which had matured by 1830. He often used his sisters and friends as models; using simple costumes, poses and compositions, he managed to endow his pictures with the intimacy and warmth that mark the Danish Golden Age. The Artist's Sisters Signe and Henriette Reading a Book (1826; Copenhagen, Stat. Mus. Kst) is a fine example of his combination of natural observation with Neo-classical idealization. Under Eckersberg, who encouraged both, he strengthened his natural flair for painting serene architectural views of Copenhagen.